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Oriana (film) : ウィキペディア英語版 | Oriana (film)
''Oriana'' is a 1985 Venezuelan film directed by Fina Torres and written by Antoine Lacomblez and Torres herself. Set in a hacienda or ranch, this drama tells the story of Maria, a woman that returns to the house where she spent a short time as a girl to discover some secrets about her aunt, the title character, who died and left the property to her. The film won the Caméra d'Or Prize at the 1985 Cannes Film Festival as the best first feature.〔(【引用サイトリンク】title=Festival de Cannes: Oriana )〕 It was Fina Torres first feature film and won many awards at the time. It was selected as the Venezuelan entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee.〔Margaret Herrick Library, Academy of Motion Picture Arts and Sciences〕 ==Plot== Maria, a Venezuelan woman returns to Venezuela from France when she learns that her aunt Oriana has died and willed her a crumbling and remote Venezuelan hacienda where Maria spent a short time as a girl just entering puberty. Maria goes to the hacienda, a fine, decaying old house in a tropical jungle at the edge of the sea, to prepare the place for sale; while visiting the house, Maria starts wandering through the halls and rooms and she begin to remember her visit years before. While going through her aunt's papers, she also start to find some clues to her aunt's behaviour. Maria is haunted by flashbacks to her childhood, when she spent several months at the hacienda in the company of only the beautiful and mysterious Oriana and Fidelia, a quarrelsome old retainer who constantly hints at terrible events that are best forgotten. In flashbacks, the film show the young Maria trying to understand the quiet but strange atmosphere that surrounds the place while sorting out why Oriana never leaves the hacienda and what secret may be in Oriana's past. The young Maria, as she learns things, imagines her aunt's youth, cruel father, and first love. After these reveries within reveries, Maria, now a grown woman, eventually makes one more discovery by connecting some issues, finding evidence that someone never seen may also be living in the vicinity. After that, Maria decides not to sell the house.
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